AUTHENTIC SOUND, DISTILLED TO ITS PUREST FORM
ABOUT SMALL BATCH
Craft Recordings is proud to present Small Batch, our carefully curated vinyl series devoted to creating the highest quality vinyl reissues of legendary recordings from our catalog.
As with previous Small Batch albums, Relaxin’ with the Miles Davis Quintet was mastered from its original analog mono tapes by legendary mastering engineer Bernie Grundman and pressed on 180-gram vinyl at RTI using Neotech’s VR900 compound and a one-step lacquer process—allowing for the utmost level of musical detail, clarity, and dynamics while reducing the amount of surface noise on the record.
Since launching in early 2020—debuting with John Coltrane’s Lush Life, followed by Yusef Lateef’s Eastern Sounds—the series has drawn praise from critics far and wide. Absolute Sound raved, “the sound is exceptionally detailed, present, and airy, with gorgeously rich instrumental tones and textures, excellent dynamic scaling, and a notable lack of groove noise that brings these performances to goosebump-raising life,” adding, “the deluxe packaging and accompanying notes are likewise top-tier...Don’t hesitate.” UK’s Record Collector declared, “Craft [has] done a superlative job; the packaging is elegant, and the sound is flawless...there’s a depth and vivacity that brings out the best in these sessions.”Hi-Fi Choice added, “there’s no denying the beauty of this impeccable pressing.”
The third album in the series will be Relaxin’ with the Miles Davis Quintet, a pivotal title in Miles Davis’ incomparable catalog. The pressing is available for pre-order this Friday (April 15th) at 2:00pm PST / 5:00pm EST and is limited to 5,000 copies worldwide.
The Small Batch series is available exclusively on CraftRecordings.com.
ONE-STEP LACQUER PROCESS AND ALL-ANALOG MASTERING OFFERS THE HIGHEST QUALITY LISTENING EXPERIENCE
Housed in a foil-stamped, linen-wrapped slipcase. The vinyl disc—extractable through a unique frictionless ribbon pull tab—comes in a reproduction of the original album jacket and protected by an archival-quality, anti-static, non-scratching inner sleeve.
NEW LINER NOTES
New liner notes from some of music’s best educators, historians, and journalists will accompany each title.
Each reissue will be limited edition and numbered. The limited nature of these pressings guarantees that each record is a true representation of the original lacquer and is as close as the listener can get to the original recording.
RELAXIN' WITH THE MILES DAVIS QUINTET
RELAXIN' WITH THE MILES DAVIS QUINTET
A pivotal title in Miles Davis’ incomparable catalog, Relaxin' features a who’s who of jazz greats, including John Coltrane on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums. First assembled in 1955, the trumpeter’s “First Great Quintet” became the dominant small jazz group of the era and was essential in defining the hard-bop genre. Between November 1955 and October 1956, the quintet recorded three exceptionally productive sessions with the celebrated engineer Rudy Van Gelder, who simulated the group’s nightclub sets at his Hackensack, NJ studio. The resulting 32 tracks would make up six significant albums: 1956’s Miles:The New Miles Davis Quintet, 1957’s Cookin’, 1958’s Relaxin’, 1959’s Workin’, and 1961’s Steamin’.
What is most notable in these sessions—and particularly in Relaxin’—is the deft interplay between the supremely talented musicians. “The sidemen [Davis] had chosen emphasized rhythmic dexterity and strong, individual styles that sometimes complemented and—to some ears—seemed discordant and contradictory,” writes Kahn in his liner notes. “The lineup was a study in contrast—Miles’ languid, sparse phrasing next to Coltrane’s explosive, hard-edged verbosity, Garland’s sophisticated voicings and Chamber’s penchant for arco solos, alongside Jones’ rootsy rhythmic propulsion.”
Those deft collaborative moments can be heard throughout the six selections on Relaxin’, which are split between bebop standards (Dizzy Gillespie’s “Woody’n You,” Sonny Rollins’ “Oleo”) and Broadway balladry (“I Could Write a Book,” “You’re My Everything,” “It Could Happen to You,” and “If I Were a Bell”). The latter tune, from the musical Guys and Dolls, was released as a single alongside the album and has long been considered a standout track. Kahn argues that this rendition made “If I Were a Bell” a jazz standard, while Garland’s work on the song “cannot be overstated…His piano solo—replete with a block-chord sequence that reminds all of the song’s lyric and lilt—is among his most masterful at Miles’ side.”
Today, Relaxin’ remains an enduring classic and a perfect encapsulation of the hard-bop era. “From one generation to the next, Relaxin’ fast becomes familiar territory, and deservedly so,” asserts Kahn. “It remains a must-listen for those who would know or play modern jazz or improvisational music. It stands both as a historic statement and one of the brightest assets in the Prestige Records catalogue.”